- #BLUR LICENSE PLATE SONY VEGAS 16 PDF#
- #BLUR LICENSE PLATE SONY VEGAS 16 PRO#
- #BLUR LICENSE PLATE SONY VEGAS 16 OFFLINE#
In all that I've looked at so far, the BCC version either gives you more control or just simply looks better than using the methods native to Vegas. This brings up a good point: There are some filters in BCC (not many) that perform similar functions to those found natively in Vegas. Of course, you can do slow motion directly in Vegas, but BCC uses a different method to yield a smoother, higher-quality end product. I haven't compared this with what you get from Twixtor, but I like it. In layman's terms, the slow motion looks really good. The BCC Optical Flow filter allows for slow- and fast-motion effects using estimated and generated frames, unlike the velocity filter found in Vegas. You can do the same kind of track composite work in Vegas natively, but it requires the use of track motion, masking, and time. It's an adjustable wipe filter in which I was able to find something useful in about 10 seconds simply by clicking through presets.
#BLUR LICENSE PLATE SONY VEGAS 16 PRO#
Note that you cannot do 3D text extrusions in either of the built-in Vegas Pro 10 titlers.Īt first I thought, "I don't think we need a new Linear Wipe transition in Vegas." But BCC's Linear Wipe is different.
![blur license plate sony vegas 16 blur license plate sony vegas 16](https://i.ytimg.com/vi/TQa7GdRYBpA/maxresdefault.jpg)
Here, you can alter 3D extrusions, camera position, the number and types of light on the text, and other parameters. In the main dialog box, choose from the multitude of presets to get you started. Here, you enter your text, select the font and font attributes, and click Apply. Starting from the FX dialog box, click on Launch Text Window. Unlike Sony's ProType Titler introduced in Vegas Pro 8, the BCC Type-On Text is intuitive with lots of presets to get you started. It's convincing.īCC includes a titler FX called Type-On Text that's a blast to work with. It synthesizes damage to the film, to the projector, and, apparently, even to the room where you're showing the film. The Film Damage plug-in has presets that look better for this kind of effect-if you need it-than any other I've seen.
#BLUR LICENSE PLATE SONY VEGAS 16 PDF#
Many of these include usage tips the Film Process PDF suggests complementary filters to use and in what order to apply them-nice.
#BLUR LICENSE PLATE SONY VEGAS 16 OFFLINE#
Ne nice thing about the BCC documentation is that each filter or effect has its own PDF file that you can browse offline but that is also used as the in-program help. This motion tracker is available in many of the filters as a set of adjustable parameters.
![blur license plate sony vegas 16 blur license plate sony vegas 16](https://i0.wp.com/wolfbox.com/wp-content/uploads/2021/06/g840s-1-1.png)
What's unique to this is that BCC integrates a motion tracker with this filter so you can apply the effect to only a portion of the video, and it can be tracked and adjusted across time. The Film Process filter has presets (and, of course, controls for creating your own) that remind me a lot of Red Giant Software's Magic Bullet Looks. There are lots of color-enhancing and film-style filters. Everything ran stable for me, even when I was trying out dozens of effects. It's a little annoying, but it's not too bad. I noticed there is some lag in loading the BCC dialog boxes when you add or remove an effect. BCC runs entirely from within the host application (in this case, Sony Vegas Pro). Once you've installed BCC, you can add any of the BCC effects to a single event, to a track, or to a complete piece of media, just like you can any other video filter or effect. You can find more information and training on all the plug-ins offered by Boris FX. I'm going to discuss just a few of the components in this package and where they can be useful. In this article, I'll show you how I use Boris Continuum Complete 7 (BCC) from within Sony Vegas Pro 10, but there are a number of other host NLEs you can use, including Adobe Premiere Pro, Apple Final Cut Pro, Avid Media Composer, and others, and the functionality is very similar.
![blur license plate sony vegas 16 blur license plate sony vegas 16](https://snetbermo.weebly.com/uploads/1/2/7/5/127500469/858289052.jpg)
You can see the gushing coming down Interstate 45 with the doors wide open: "If you buy only one plug-in this year. Moreover, each of these comes with actual usable presets right out of the box. It combines video filters, transitions, motion tracking, a titler, a particle generator, greenscreen utilities-more than 150 effects in all. The Continuum Complete package from Boris FX is unlike any other FX package I've seen. I do use a few of the built-in Sony filters and some third-party plug-ins such as Ultimate S Pro from VASST, but it's rare for me to find an effects package that really serves my needs with much of what it offers. That's why I'm always hesitant to gush over any effects package: As many as I have installed, tried, uninstalled, or kept, I invariably wind up using only a few of any of these filters on any regular basis. As we mature as editors (and shooters), we come to realize that effects need to be used ever so sparingly-such as when adding salt to any dish. Some of us may have even chosen our NLE based on the number of included video effects. When most of us started as editors, we likely substituted cheesy video effects for content and creativity.